威廉·哈维，英国伟大的生理学家和胚胎学家。 田洺，中国科学院科学传播中心主任、中国科学院自动化研究所科学艺术研究中心首席科学家顾问，曾任中国科学院研究生院教授。

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

Potent and vividly emotional, Simone de Beauvoir’s captivating novel questions freedom and individual responsibility in the face of brutality ‘These carefree faces, on which we allowed our smiles to spread, were for others the mask of tragedy.’ Jean Blomart, patriot leader against the German forces of occupation, waits throughout an endless night for his wounded lover, Hélène, ...(展开全部)

Blood is messy, dangerous, and charged with meaning. By following it as it circulates through people and institutions, Jenny Bangham explores the intimate connections between the early infrastructures of blood transfusion and the development of human genetics. Focusing on mid-twentieth-century Britain, Blood Relations connects histories of eugenics to the local politics of givi...(展开全部)

理安·艾斯勒，美国著名文化人类学家，现代文艺复兴的代表人物。国际广义进化论研究小组成员，国际合作关系研究中心的创始人。现任教于加州大学和洛杉矶圣心学院。 艾斯勒是国际公认的具有高度创造性的思想家。她的创作是对我们的过去、现在和未来的真正整体化的研究，她的思想已对哲学和人文科学产生了深远的影响。 主要著作有：《解体》、《平等权手册》、《圣杯与剑》、《神圣的欢爱》。

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

This study discusses basic questions about Rubens's art and life, studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament.

Reconsiders the concensus on Rubens as a successful, prolific, and facile court painter who is dwarfed by the achievements of his near-contemporary Rembrandt. This book scrutinizes the assumptions upon which this image is built, and discovers an artist involved with ambivalence and ambiguity.